At the core of electronic music is the dialogue between body and machine. The dance of electrons inside a light source determines the emission of a certain color. “Jumping electrons” develops in a cycle where the loop is the technical approach, and vital dynamism fights with an inevitable death of staticity. The loop to create the dialogue with the machine is simple: I create digital photo-collages leaving some empty spaces, then print on paper, draw on the empty spaces with graphite, scan the results to re-work on it digitally, and then print again and so on for three or four times.
